Design marks using the iconography Peruvian
The iconographic universe leads to review the composition of the designs executed in the tissue, also observed the formation of a style that came to maturity when he found an identity, always related to their cultural space and beliefs. The geometric iconography refers to the use of the structures of planning, training and synthesis, which came to dominate to perform complex compositional designs.
The color is the element of life that beautifies the tissues and transforms them into works of art, where the brushes and canvas are transformed into cotton and coated wool color, show that still can be seen in the beautiful landscapes of our peoples.
Despite the elapsed ancient cultures began their process of development and expansion time, today we can admire the beauty of its archaeological pieces coated in many cases figures of stylized gods and scenes from the life of their society, trying to relate its existence with the divine and to avail themselves of this iconographic representation as evidence of their existence in the past.
These iconographies go beyond what we now call artistic expression, for these people constitute the representation of natural gestures that repeat and recreate again and again to the cosmos, its universe and its surroundings, made ritually, which have been conceived, or rather revealed, to that end men for inspiration bequeathed to their ancestors, to organize your life according to God’s will. The traditional craftsman, ritualistically repeated the ideas of his worldview that are perfectly clear to him, the plasma, ie generates, becoming in turn a small creator God.